Ellen Cantor: A History of the World as it Became Known To Me
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Ellen Cantor: A History of the World as it Became Known To Me
Co-published by CCA Wattis Institute, San Francisco; Sternberg Press, Berlin, Künstlerhaus Stuttgart; PARTICIPANT INC., New York, 2018
Softcover, 319 pages
Edited by Lia Gangitano, Fatima Hellberg, Jamie Stevens
Contributions by Dodie Bellamy, Jonathan Berger, John Brattin, Ellen Cantor, Lia Gangitano, Cy Gavin, Joseph Grigely, Clara López Menéndez, John Maybury.


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Ellen Cantor (1961–2013) combined ready-made materials with diaristic notes and drawings to probe her perceptions and experiences of personal desire and institutional violence. This book is concerned with, and a document of, Cantor’s work through the lens of Pinochet Porn (2008–16) and its making—an epic experimental film embodying and radically extending her multifaceted artistic practice. Taking the form of an episodic narrative about five children growing up under the regime of General Augusto Pinochet in Chile, and shot between her dual hometowns of London and New York, history is observed through Cantor’s fictive speculations on private experience within a totalizing political order. A history of the world as it has become known to me brings together writings and archival materials of Cantor’s, including a reproduction in full of her drawing-based script Circus Lives from Hell (2004), alongside contributions by writers, artists, collaborators, and friends reflecting on Cantor’s practice, Pinochet Porn, and a singularly transgressive vision: explicitly feminist, remorselessly emotional, dramatic in tone, and, as Cantor herself liked to put it, adult in subject matter.

It accompanies the exhibition Ellen Cantor: Cinderella Syndrome, which was on view at the Wattis from December 8, 2015 through February 10, 2016, and traveled to Künstlerhaus Stuttgart.